
Camus' hidden first novel, published only after his death, explores one man's dark pursuit of happiness. The haunting precursor to "The Stranger" reveals the young Nobel laureate's raw, autobiographical struggles with mortality, purpose, and the absurd quest for a meaningful death.
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"A Happy Death" begins with murder-a deliberate, calculated act that sets everything in motion. Patrice Mersault walks to the villa of Zagreus, a wealthy man who lost both legs, kills him with a revolver, and arranges the scene to look like suicide. He then steals money from Zagreus's strongbox and returns to his apartment to sleep. This cold-blooded act serves as the catalyst for Mersault's pursuit of happiness-a moral paradox that challenges our understanding of ethics and authenticity. Before this pivotal moment, Mersault led a life of quiet desperation-working as an office clerk, living in poverty above a horse butcher shop, sleeping in his dead mother's room. During a previous visit, Zagreus had shared his belief that "money buys time for happiness," showing Mersault his safe containing both wealth and a suicide note. "With your healthy body," Zagreus told him, "your duty is to live and be happy." This conversation planted the seed that blossomed into murder-the idea that Zagreus's money could free Mersault to pursue authentic happiness. What makes this opening so provocative is how it positions a morally reprehensible act as the first step toward an authentic life. Isn't it striking how rebellion against convention-even in its most extreme form-becomes the gateway to Mersault's self-discovery?
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