
In Kushner's electrifying "The Flamethrowers," art meets revolution across 1970s New York and Italy. The only American writer with consecutive National Book Award finalist novels, Kushner's dazzling prose made this a New York Times bestseller that Christina Garcia called an "irresistible, high-octane mix."
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In 1975, a young woman rides a Moto Valera motorcycle across the Nevada desert, her gas tank adorned with a taped map marking her path. She's an artist from Reno-nicknamed "Reno" for her hometown-creating art through velocity, "drawing in time" as she once did while ski racing as a child. Her destination: the Bonneville Salt Flats, where she'll attempt a land speed record not for glory but as an artistic statement. This motorcycle journey becomes a metaphor for her larger navigation through the male-dominated worlds of art, wealth, and political revolution in 1970s America and Italy. Her story unfolds against backdrops of stunning contrasts-the stark American desert and the chaotic streets of Rome, the exclusive New York art scene and the gritty factories of industrial Italy-revealing how speed, art, and revolution intersect in unexpected ways.
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