
Medieval monastery, 1327: A Franciscan monk investigates murders linked to forbidden knowledge. Eco's debut masterpiece sold millions, sparking debates on faith versus reason. What secret in Aristotle's lost book was worth killing for? The labyrinth awaits.
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A dead monk lies beneath abbey walls, his body twisted in the snow. The year is 1327, and within the stone corridors of a wealthy Italian monastery, knowledge itself has become lethal. What unfolds is not merely a medieval murder mystery but a profound meditation on the dangerous seduction of certainty, the subversive power of laughter, and the eternal question: who gets to decide what truths we're allowed to know? This is the world of Umberto Eco's masterpiece, where a Franciscan friar named William of Baskerville-part Sherlock Holmes, part philosopher-must solve a series of deaths that all lead back to a single forbidden book hidden in the greatest library in Christendom.
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