
In 2009 Ireland's recession, Rachel Murray navigates friendship, sexuality, and forbidden love. This TikTok Book Awards finalist captures pre-marriage equality Ireland with Sally Rooney-esque intimacy. What makes us risk everything for the people we desperately want but shouldn't have?
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Rachel Murray's life unfolds in the cramped aisles of O'Connor Books in Cork, where she perfects her "Girl Who Works in Bookshop" persona with carefully curated literary recommendations and an air of quiet competence. When James Devlin arrives as Christmas help, declaring "Someone here has scabies" as his opening line, something shifts in Rachel's carefully constructed world. Their friendship forms instantly, cemented when a shelf collapses, sending them sprawling among scattered paperbacks and Dawn French memoirs. Through his bleeding forehead, James realizes he's been calling Rachel by the wrong name for weeks. "At last," he says with genuine recognition. "There she is." This moment captures their entire relationship - James sees Rachel more clearly than anyone else, even when he's literally mistaking her for someone else. Against the backdrop of economic collapse, Rachel and James navigate their early twenties with a particular kind of desperation. They share a slightly shabby Georgian house with uneven floors and a view of church bells, plotting escape while working for minimum wage. Rachel's relationship with boyfriend Jonathan represents everything she's trying to flee - suburban predictability and a particular brand of contrarianism where they "invented opinions by taking common consensus and reversing it." Their relationship ends outside Crawford Art Gallery when Jonathan claims Rachel "seems fake" - a criticism that stings precisely because it contains truth. Living with James has changed her; she's adopted his mannerisms and perspective, particularly his habit of describing everyday situations as scenes from movies.
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