
In "Pieces of Light," Charles Fernyhough reveals how memories aren't fixed recordings but stories we constantly rewrite. Shortlisted for the Royal Society Prize, this mind-bending journey makes you question: Is your most cherished memory actually real or brilliantly reconstructed fiction?
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Have you ever caught yourself remembering something vividly, only to discover it never happened quite that way? When Charles Fernyhough's seven-year-old son asked about the first fish he ever caught, this seemingly innocent question sparked a profound realization: our most cherished memories aren't faithful recordings but creative reconstructions assembled anew each time we remember. This revolutionary understanding transforms how we view our very identities. Memory doesn't work like a video camera, dutifully recording and storing our experiences for later playback. Instead, it's a dynamic, creative process happening in the present moment, drawing on fragments distributed across different brain regions. Each recall becomes a fresh version of the original event, colored by our current circumstances, emotional state, and accumulated experiences. This explains why memories can feel so vivid yet prove so unreliable-we're not retrieving something fully formed but creating something new that combines sensory details, spatial information, emotional responses, and narrative understanding.
Break down key ideas from Pieces of Light into bite-sized takeaways to understand how innovative teams create, collaborate, and grow.
Distill Pieces of Light into rapid-fire memory cues that highlight Pixar’s principles of candor, teamwork, and creative resilience.

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