
A classics professor's hidden racial identity unravels in Roth's award-winning masterpiece. Thomas Chatterton Williams, a mixed-race author, marveled: "How can he possibly know that?" Exploring America's identity politics during Clinton's era - this PEN/Faulkner winner became essential reading on self-invention and racial complexity.
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In late 1990s New England, as the Clinton-Lewinsky scandal dominates headlines, Coleman Silk's carefully constructed life unravels with stunning speed. For five decades, this distinguished classics professor at prestigious Athena College has hidden an explosive secret: though perceived as Jewish by colleagues and family, Coleman was born Black and has been "passing" as white since his twenties. The irony cuts deep - a man who fled racial categorization finds himself destroyed by it when he innocently uses the word "spooks" to describe perpetually absent students who happen to be African American. Despite his protests that he meant "ghosts," not a racial slur, the accusation of racism destroys his career and triggers a chain of events ending in tragedy. Coleman's reinvention wasn't impulsive but calculated - a young man's deliberate gamble that whiteness would offer opportunities blackness couldn't. At twenty-six, he saw his racial identity as an impediment to the future he envisioned. The cruel irony? He specialized in classics - a field obsessed with origins, lineage, and cultural inheritance - while methodically erasing his own. To become someone new, Coleman severed all family ties - his mother who noted he'd been "trying to escape almost from the day you got here," his furious brother who warned him never to "show your lily-white face around that house again." He erased a rich heritage including Continental Army soldiers, Lenape Indians, and Swedish settlers. "The hell with that imprisonment," he declared, choosing reinvention over inheritance.
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